Glamoursink
Glamorsink is a quintessential portrayal of deconstruction, a favorite Insex theme. And because it shows the disintegration of a bondage shoot into a nonconsensual kidnapping, the article, in a sense, deconstructs itself. The videos begin with a series of glamour bondage shoots, placing molly in typical bondage situations. But the glamour shoot goes bad when the cameraman decides to take advantage of the vulnerability of his model. As they struggle, he rips off her wig, the first act of deconstruction. He soon has her gagged and taped, taped, taped. Laughing at her protests, he torments her with an anal sound-activated stim, then packs her into an insulated transport device. The next set of videos show molly shackled into PD’s outrageous copper sink, the copper giving her skin a beguiling flush. A substantial soap enema is administered, the first of a series of treatments intended to cleanse impurities from the victim. With a spray nozzle, he plunders her body orifice by orifice. She is lathered and scrubbed, her tormenter whistling happily while he works, peeling back the layers of her sense of self. He furthers her torment with electricity, the copper and water providing excellent conduction. By the end, she is nothing but his toy, a wet and bedraggled lump of flesh. And who is he, videographer or kidnapper? And where is his camera? And who is the watcher? And who is the watched? And where is the line where fantasy ends and reality begins?
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